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Alexey Kruglov: The flexibility to create works for the time being of improvisation, when all
individuals within the course of reply to one another in essentially the most surprising
turns, type the construction of the work with its tales and a fascinating
plot.
Karina Kozhevnikova: Freedom from canonical music rules could be very joyful for me!
What high quality do you most admire within the musicians you carry out
with?
AK: I love when musicians are open to any inventive actions. For me there’s
not solely musical actions as I see the method of creation as a various
world by which we exist not solely as musicians but in addition usually utilizing
performative, theatrical, poetic rules. The preferrred musician for me is a
individual able to immediate and versatile transformation from one inventive
subject to a different, or coping with a number of layers without delay. For instance, at
the Moers pageant, Karina Kozhevnikova and I performed with the wonderful
drummer Zimon Cammatta. He was the best performative-improvisational
musician. Proper from the primary notes of the rehearsal, we realized that we
have been respiratory the identical air. He actively participated within the efficiency,
identical to an actor.
KK: I love the capability to pay attention and listen to one another, lack of egocentrism in
the ensemble sport.
Which historic musicians/composers do you admire essentially the most?
AK: Bach, Mozart, Chopin, Russian classics – Tchaikovsky, composers of the
Mighty Handful (or “The Mighty 5” as we named our CD), Stravinsky,
Rachmaninov, Webern, Berg, Schoenberg, Penderecki, Schnittke… If we speak
about jazz, my favourite musicians are Charlie Parker, John Coltrane and
Ornette Coleman. Among the many musicians I performed with, Jimmy Heath and Joachim
Kühn. Speaking and collaborating with such individuals, you’re feeling concerned
within the world historical past of music.
KK: I love completely different genres and instructions. Firstly, the music of Paul
Hindemith and Sergei Prokofiev – these currents associated to the seek for a
new language in music of the twentieth century. I’ve nice reverence for the
classics – Bach, Mozart, Mussorgsky, Rimski-Korsakov, Tchaikovsky. Within the
subject of jazz and improvisational music: composers George Gershwin, Ira
Berlin, Cole Porter; Ella Fitzgerald, John Coltrane, Ornette Coleman, and
the pillars of latest music – Alexander von Schlippenbach, Cecil Taylor, Sergey
Kuryokhin, Vyacheslav Ganelin. Their inventive range has formed my
musical view and strategy.
Should you may resurrect a musician to carry out with, who wouldn’t it
be?
AK: Sergei Kuryokhin and Vladimir Rezitsky, who stood on the origins of
efficiency artwork within the USSR. I want to play on Coltrane’s Ascension,
and improvise with Ornette Coleman.
KK: It might be very fascinating to play with Bach. He’s stated to have been a
outstanding improviser.
What would you continue to like to realize musically in your life?
AK: The musical path, like the whole inventive path, could be very demanding. Our
career requires fixed excellence and painstaking work. For the time being
I’m creating my very own methodology known as Dromuse and would love to
deliver it to its preferrred embodiment on stage in order that it follows my polymathic
aspirations.
KK: There is no such thing as a restrict to perfection. I want to proceed additional within the
subject of the event of jazz polyphony, analysis on the educational
rules of constructing concord in free jazz.
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| Karina Kozhevnikova |
Are you curious about widespread music and – if sure – what music/artist do
you significantly like?
AK: Most likely the group closest to me on this style is Depeche Mode, however it’s
tough to name it a pop group, since their aesthetics embrace a big
layer of digital music.
Should you may change one factor about your self, what wouldn’t it be?
AK: Missed alternatives… as soon as, in 2004, throughout an internship on the Dave
Brubeck Institute, we performed with Christian McBride on the Monterey Jazz
Competition. After the present, Clint Eastwood got here to us backstage and
thanked us. I may have requested him to inform me somewhat story about
Mikhail Chekhov, an excellent actor (and nephew of Anton Chekhov), with
whom younger Clint studied. However… I forgot. It would have been
fascinating to study Mikhail Chekhov and his system first-hand
from his pupil!
AK: Maybe, on the finish of the institute years the place I studied as a pianist,
dedicate extra time to educational music. Though, who is aware of, perhaps then there
could be no jazz in my life, and I’d have change into solely a tutorial
pianist. So, not a simple reply.
Which of your albums are you most proud of?
AK: All of my 92 albums are pricey to me, however there are a couple of ones that stand
out. Firstly, a double album with Slava Ganelin and Oleg Yudanov – a
live performance on the Oct Loft Fest in Shenzhen, China. Additionally one among my first
albums on Leo Data, “Russian Metaphor”, which acquired extraordinary
critiques – from “not really helpful for listening” to
“the long run of jazz”
! “Polyphonic Circle” is a brand new flip, a glance into the polyphonic
group of musical house.
KK: Polyphonic Circle recorded with Alexey Kruglov’s Krugly Band. A brand new path
for me to find a brand new type and language.
As soon as an album of yours is launched, do you continue to hearken to it?
And the way usually?
AK: Typically, however not usually.
KK: Virtually by no means.
Which album (from any musician) have you ever listened to essentially the most
in your life?
AK: The Second Siberian Live performance by Vladimir Chekasin. This album was the primary
in a collection of information of latest music. That is in all probability top-of-the-line
examples of Russian new music. Again in 1995, it shook me to the core. Each
time I return to it, I discover new wonderful issues in it.
KK: Tchaikovsky by Alexey Kruglov–Jaak Sooäär Quartet.
What are you listening to for the time being?
AK: Bach, Mozart
[Kruglov is preparing for the role of Mozart in a play]
.
KK: The Ganelin Trio – Reside in East Germany. It’s music I at all times need to return
to, discovering new plots and concepts in it.
What artists exterior music conjures up you?
AK: Boris Yukhananov, inventive director of the Electrotheatre Stanislavsky, the
chief director of the Granovsky Theater Igor Pekhovich, the place I’ve been
working for a number of years. Artist and poet Mikhail Pogarsky who’s a pricey
pal. And historic figures such as Andrei Tarkovsky, Mikhail Chekhov,
Fyodor Dostoevsky, Ilya Zdanevich, Wassily Kandinsky, Kazimir Malevich,
Alexander Pushkin, Mikhail Lomonosov, Leonardo Da Vinci, Socrates…
KK: Fashionable artists, poets, movie and theater actors. It’s tough to
distinguish one among these varieties. However I’ll choose great artist Mikhail
Vrubel, actress Meryl Streep, poet and author Alexander Pushkin.
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