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Emma Rawicz – Chroma
(ACT CD 9973-2. Album evaluate by Jon Turney)
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Saxophonist Emma Rawicz’s second CD launch, her debut on the ACT label, is an impressively completed affair, bristling with the self-confidence indicated by the straightforward notice: “music composed, organized and produced by Emma Rawicz”.
The manufacturing brings collectively a starry quintet that includes Ivo Neame on keys, Ant Regulation’s guitar, Conor Chaplin on bass and fantastically built-in drumming from Asaf Sirkis. Rawicz’s modern Immy Churchill contributes wordless vocals on a number of tracks, in a trend harking back to Pepi Lemer in Jeff Clyne’s Turning Level way back.
You’d doubt that she’s referencing that band, however there’s a jazz-rock really feel to a number of the items. All however one are named after color shades, impressed by Rawicz’s personal synaesthesia, though this doesn’t matter particularly to the non-synaesthete listener. Phlox opens with some percussive vocal from Sirkis resulting in what may effectively be a ‘70s jazz-rock riff, quickly overtaken by vigorous exchanges between tenor sax and guitar and a cooler electrical piano solo. There follows one among three temporary takes on Xanadu, the primary one appealingly dreamy, earlier than a muted guitar rhythm a la Lionel Loueke leads into Rangwali, which makes use of Churchill’s voice in opposition to Rawicz on bass clarinet. At 9 minutes it’s the longest monitor on an album that runs simply over 40, and sustains curiosity effectively.
A few of the different items are only a contact bland, although the ballad Center Floor is redeeemd by Neame’s and Rawicz’s contributions and the nearer, Falu, by one other spectacular sax solo. Viridian, one other longer minimize, feels a stronger piece of writing, and its altering moods show the entire band to good impact.
This album definitely exhibits promise fulfilled on the a part of the younger chief. For me, although, she remains to be at a stage the place measuring as much as one or two robust compositions from the modern jazz repertoire could be welcome in a set like this. Rawicz focussing solely on her personal creations remains to be attention-grabbing, and she or he is served exceptionally effectively by her band right here, however maybe this aspect of her work nonetheless must develop to be persistently convincing.
Jon Turney writes about jazz, and different issues, from Bristol. Twitter: @jonwturney
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