Home Jazz François Service Ensemble feat. Mat Maneri, Tomasz Stańko, Gary Peacock & Michel Lambert

François Service Ensemble feat. Mat Maneri, Tomasz Stańko, Gary Peacock & Michel Lambert

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François Service Ensemble feat. Mat Maneri, Tomasz Stańko, Gary Peacock & Michel Lambert

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By Stef Gijssels

Within the first month of our existence, someplace early 2007, we reviewed “Occurring” (2006), a double CD by François Service (alto and soprano), Mat Maneri (viola), Michel Lambert (drums) and Pierre Côté (double bass), recorded in Montréal on on the Gesù Theater on April 8, 2005. One 12 months later, they met once more, however with the good Tomasz Stańko flying over from Poland, and the equally nice Gary Peacock on bass. Service and Lambert already launched an album with Gary Peacock earlier than (“Travelling Lights” (2004)), however by no means with the good Polish trumpeter. Apparently, Service was fascinated by Stańko’s “Matka Joanna” 1995 album on ECM, and he ought to be. Peacock and Stańko had carried out collectively on the previous’s “Voice From The Previous“, additionally on ECM however relationship from 1982. 
This 3-CD abum was recorded stay on the Théâtre La Chapelle in Montréal on Might 5 and 6, 2006. Once more, one might surprise why it took a lot time for this efficiency to be launched as an album – and I am positive there are nonetheless many gems awaiting the identical fortunate destiny on arduous drives all over the world. Contemplating their respective collaborations prior to now, this album actually seems like a cheerful reunion, with the caveat that it’s farther away from the ECM sound (sure, it does exist) than one would count on. 

Like on “Occurring“, the music shifts between moments of dense interaction and lengthy moments of ephemeral dialogues and gradual sonic developments, giving among the items a deep religious dimension, and each Stańko and Peacock are totally relaxed on this totally free surroundings, and it additionally appears to present them wings. The lead voices shift the whole time, and their pure sense of lyricism largely determines the general sound, at instances weaving simultaneous sonic threads round one another’s phrases, or giving house for solo improvisations, by which Peacock fortunately participates. Aside from two brief tracks, most items are round ten to twenty minutes lengthy, permitting for the gradual and cautious growth of concepts, and providing the listener shut to 3 hours of unimaginable music. 

The general ambiance is mild, deep and emotional, with distinctive listening abilities and respect from and for all musicians. The immediacy of selecting up phrases from the opposite band members and taking part in round with them is uncanny. There’s a directness and humility that’s actually inspiring, presumably as a result of none of those musicians nonetheless have something to show, having reached that stage the place musical interplay comes spontaneously, totally concentrating on the opposite one’s sound and the music itself, co-creating with no need to suppose at any time about one’s instrument or structural necessities. “Openness” appears to be the very best title for the music. 

In 2017, Service talked about this in an interview with Cadence Journal: “I intentionally select to have fun life by means of the music that involves me from the guts, from inside. If all the pieces is music, then Music should at all times be there ready for us? Paying attention is the key. I thus favor spontaneity (mentally [ego] free), pure improvisation, the free expression of the soul. All of it has to do with optimistic creativity and introspection. I’m not trying to find something, nor do I consider something whereas taking part in. Every second turns into a second of grace. One provides himself physique and soul, unconditionally, with out compromise”.

A second of grace certainly, additionally for the listener who can get pleasure from what the viewers in 2006 was so passionate about. 



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