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Karja / Renard / Wandinger – Caught In My Personal Lure
(BMC Information BMCR328. Album evaluate by Frank Graham)
Taking inspiration from “outdated creepy silent movies and damaged machines”, the darkly atmospheric music of Karja / Renard / Wandinger weaves a slim path between free improvisation and up to date composition. First coming collectively in Tallinn February 2020, the group includes of Estonian pianist Kirke Karja, French bassist Étienne Renard and Berlin-based drummer and visible artist Ludwig Wandinger (whose excellent 2020 album The Gloss Impact is a kaleidoscopic collision of jazz and electronica).
Caught In My Personal Lure takes its identify from a observe on the trio’s self-released 2022 debut album. That includes seven of Karja’s originals and 5 collective improvisations, the music was recorded in Budapest in March 2023 following a live performance engagement on the metropolis’s famend Music Centre. The programme runs the gamut from the deeply meditative to the positively explosive, and the extent to which the musicians keep away from cliché and inventory phrasing is just outstanding.
Every bit unfolds with a steady three-way circulation of concepts, and lively listening is crucial should you actually wish to get probably the most out of this music. The opening “Take My Tender Coronary heart” develops slowly out of a rubato introduction, remodeling right into a shimmering and largely static type redolent of The Necks. “Sweat” is altogether extra energetic, a collective exercise that builds inexorably to an ecstatic climax. The oddly stumbling gait of “Seiklus” depends on a bunch of complicated rhythmic sub-divisions, and regardless of its tight unisons “Margaret” turns into more and more untethered because the trio lose themselves in a sequence of Ligeti-inspired miniatures.
“Foam” brings among the set’s most lyrical passages, whereas Renard and Wandinger’s cat-and-mouse exchanges provide a lovely hors d’oeuvre to Karja’s dramatic entry on “Prelude”. The hyper-kinetic “Pollock” is as shut as you’ll get to motion portray with music, whereas the closing “Runder Disappointment” finds the trio taking an uncharacteristically backwards look at French Romanticism, bringing the listener again all the way down to earth with a gentle touchdown.
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An invigorating but finely nuanced set from three of Europe’s rising stars, and if like me you’re eager to listen to extra I’d strongly suggest the eponymous debut of Karja and Renard’s different group Captain Kirke and The Klingons, which options the fiery Finnish saxophonist Mikko Innanen, amongst others.
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