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New Previous Luten Trio – Trident Juncture (Euphorium, 2023)
Christian Lillinger, have been, for a few years, growing a sequence of recordings primarily based on
encounters with legends of the avant-garde. Most just lately, the 2 labored with
Japanese saxophonist Akira Sakata in what was named the
Nice Sakata Mission. Previous to this was a considerably contentious pairing with the late Peter
Brötzmann (as implied from Schwerdt’s liner notes in Trident Juncture), which however resulted in some spectacular recordings). Earlier than these, nonetheless, was their great and uncanny reference to German woodwindist Ernst Ludwig Petrowsky
– the Luten of the New Previous Luten Trio.
The music on Trident Juncture, Schwerdt’s resent launch of the New Previous
Luten Trio’s music, was pulled from their final live performance at Leipzig’s naTo membership in 2016. This date additionally occurs to be the bittersweet event of Petrowsky’s final look
earlier than he turned too in poor health to carry out.
The album’s essential monitor,
‘Trident Juncture,’ ebbs and flows generously for an hour. Beginning with the exact clatter of Lillinger’s drums, Schwerdt and
Petrowsky be a part of seconds later with abrupt musical statements. A cluster of notes from
the piano, a smeared notice from the saxophone and they’re off and operating. The foundations of interactions have
been lengthy agreed upon by the trio, so there is no such thing as a want for exploratory enjoying and testing of the edges, quite because the drums start to splinter the heart beat,
the power erupts in colourful chord tones and shredding melodic statements.
The music is hardly one dimensional. Contrasting with the fierce, free
interactions are moments of reflective enjoying. For instance, round 10-minutes in, the piano has dropped out and Petrowsky engages in an summary
duet with Lillinger, who, whereas conserving the construction of time, appears to be
enjoying the whole lot else. The saxophonist’s tone is craving, it’s
melodic, but in addition at instances confrontational. This fascinating part lasts
almost fifteen minutes till Schwerdt drops in with a passage that
redirects the power into complete new path.
New Previous Luten Trio – Wild Flower Juice (Euphorium Data, 2008/2023)
On the event of Trident Juncture’s launch, Schwerdt has re-released the trio’s very first assembly from 2008, additionally
recorded at naTo. On the time of the discharge, it was given a quite unlucky identify that has been rethought and now seems as Wild Flower Juice on Schwerdt’s Euphorium Data Bandcamp website. (Simply FYI, Schwerdt tends to make use of pseudonyms and on this recording is listed as Elan
Pauer).
Made when Petrowsky was 75 and each Lillinger and Schwerdt had been
nonetheless larvea (okay, they weren’t all that younger, I am clearly exaggerating for impact), the recording affords clear proof that age is an unreliable indicator of inventive vigor. Petrowsky is a fountain of youthful power, scary and reacting, sparring with the opposite two at an infectiously inventive stage. From
the opening assertion of ‘Vitalisierende Gesichtscreme’ (Vitalizing Face
Cream) to the closing moments of ‘Wild Flower Juice’ there’s a vitality
to Petrowsky’s enjoying and a palpable rapport between him and the youthful
gamers.
Wild Flower Juice are two great recordings that bookend the superb New Previous Luten Mission sequence, which featured Schwerdt, Lillinger and Petrowsky in trio, quintet and septet
formations.
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