By Stef Gijssels

The band doesn’t carry out new items, however brings updates of all their already launched materials. Followers of Fujii and Tamura might be shocked on the rhythm part of Hayakawa and Yoshida. The previous is an actual wizard of the electrical bass, and he provides the music a really fusion really feel at moments, whereas Yoshida is an unbelievable powerhouse – however delicate – on the equipment. They drive the music ahead at breakneck pace, giving it generally a extra rockish than boppish really feel, or one thing in between. Fujii’s compositions are splendidly advanced, with rhythm and tempo modifications, lengthy unison strains and brilliantly tight preparations. Each Fujii and Tamura are in wonderful kind too. That is music that has a really free really feel, however the self-discipline and mastery of the 4 musicians reveals itself greatest within the transition between the improvised and organized moments. 

The opposite tracks on the album are “The Solar in a Moonlight Night time” (Vulcan, 2001), “Tatsu Take” (Minerva, 2002), “First Tango” (Zephyros, 2004), and “A Poor Sailor” (Angelona, 2005)