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City gospel frontliner & inventor of the Gospel Amapiano style, Scott Evans has emerged as one of many main voices advocating for the inclusion of gospel songs in all style classes on the Vodafone Ghana Music Awards (VGMA).
This name is available in response to the absence of gospel songs in particular style classes, as highlighted by fellow artist Akesse Brempong in a current tweet.
In his tweet, Akesse Brempong emphasised the affect of gospel music on highlife, stating, “Mediated by the worship expertise in Pentecostal-Charismatic church buildings, we are able to observe that an aesthetics of liveness has reentered highlife music by the idiom of gospel. However no gospel tune within the HIGH LIFE CATEGORY of VGMA24.”
His commentary raised legitimate questions in regards to the lack of illustration for gospel music in its vital contributions to genres like highlife.
Becoming a member of the dialog, gospel musician Kofi Owusu Preprah echoed the feelings, stressing the worth that gospel music brings to award schemes.
He urged organizers to contemplate opening up all classes to gospel, highlighting that gospel music encompasses numerous rhythms and shouldn’t be restricted to a single style.
Throughout an look on Pleasure FM’s Twitter Areas present, Scott Evans disclosed that he had submitted his tune ‘Finest Facet’ for consideration within the Afrobeats/Afropop class however didn’t obtain a nomination. Regardless of the frustration, he acknowledged that it’s a kind of points of the business.
Scott Evans expressed the necessity for the VGMA scheme to guage gospel songs not solely primarily based on their message but additionally their rhythm. He believes it’s time to acknowledge the inventive advantage of gospel music throughout various genres, permitting for higher illustration and appreciation.
In response to those considerations, Robert Klah, the Head of Public Occasions and Communications at Charterhouse, the organizers of VGMA, acknowledged that the difficulty of nominating gospel songs in numerous style classes had been beforehand raised throughout VGMA Board conferences.
He assured stakeholders that additional discussions could be held to deal with this matter and discover potentialities for extra inclusive nominations.
The push for gospel songs to be acknowledged throughout all VGMA classes displays the evolving nature of gospel music and its impression on Ghanaian music as a complete.
As advocates like Scott Evans, Akesse Brempong, and Kofi Owusu Preprah proceed to boost their voices, it’s hopeful that the VGMA organizers will have interaction in constructive dialogue and take into account the precious contributions of gospel music in all its variety.
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