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To finish the record that Eyal Hareuveni product of latest solo bass albums, I can add a couple of additions that followers could be concerned with searching for.
Barre Phillips & Daniele Roccato – Confluence (Parco Della Musica Information, 2022)
Three years in the past, on March 1, 2023, Barre Phillips carried out stay with Daniele Roccato on the Sala Accademica Conservatorio Santa Cecilia in Rome. The latter is without doubt one of the main fashionable bass gamers in Italy, and considered one of a protracted record of wonderful and inventive fellow compatriots reminiscent of Stefano Scodanibbio and Stefano Battaglia, who’re all as comfy with classical music as with fashionable new music. They can be heard collectively within the Ensemble Ludus Gravis, which consists solely of double bass gamers.
On this duo album you hear two masters at work, improvising and exploring one another’s expertise and sonic potentialities, sharing the views from the 2 totally different worlds of sound that they originate from.
The items are comparatively quick, however very targeted and coherent, and particularly the arco improvisations work finest for me. There clearly is a variety of respect and mutual understanding between each musicians, each personally and musically.
Max Johnson – Hermit Music (Unbroken Sounds, 2022)
New York bassist Max Johnson has been the bassist of many ensembles, together with with Karl Berger, Chris Pitsiokis, Thomas Borgman, Vinny Golia, subsequent to his personal trios and quartets. His first solo album is the results of the pandemic. I might somewhat let him introduce the album in all its energy honesty:
In some ways, the pandemic marked the ending of a really busy, productive, and joyful time of my life. The next two years have been a day by day battle to resume being a constructive productive human being, and this music represents the darkish complicated place I’ve been residing since. Recording this music was very troublesome for me, and created a variety of psychological and emotional challenges I didn’t anticipate. What you hear on this report is a special bass participant, improviser, and individual than you’d have heard two years prior, and this music symbolizes my wrestle with self, actuality, objective, and psychological well being. This album represents who I’m proper now, and I’m proud to share it with you.
The truth that this music exists, and is right here to take heed to, and to loved even, contradicts the ‘hermit music‘ feeling of the composer when recording it. The 5 tracks have a powerful stage of unpredictability, of deep emotions with usually unclear constructions. The benefit of this, is that the listener needs to be extra lively, with none probability of anticipation, pushing you to observe each be aware in its bare expression.
Johannes Nästesjö – The Hand, the Bow and the Bass (Konvoj Information, 2022)
He asks himself the next analysis questions:
- Can I, by reaching for the utmost limits on my instrument, in dynamically, technically and pitch associated methods each discover, for me, new modern strategies and increase the methods on methods to play and carry out them on the double bass?
- Can I, by illuminating, documenting, finding out, organizing and re-documenting my musical course of, design a toolkit for improvising bassists with modern strategies?
- Can I, in my musical course of each act as the primary individual, i.e. the subjective musician and because the third individual, i.e. the target observer?
- In that case, can I, because the observer objectively observe and set up the ”discoveries” that I’m doing in my day by day work as first individual.
- Can I create this toolkit by way of the restrictions that my instrument presents acoustically (the hand, the bow and the bass).
- And may I by way of this immerse and widen my musical expressions? – A richer language – extra elastic – with extra colours.
Fascinating questions that drive his enjoying, making all of it sound like a really cerebral and rational endeavour, however I can guarantee the listener that isn’t restricted to this. Past this, and at a deeper stage, there’s the subjective artist together with his emotions and private perspective.
João Madeira – Aqui, Dentro (Miso, 2022)
Drone-like bowed bass with minor shifts and ranges of depth constructed round a single tone. Some might discover it boring, others mesmerising. It requires some good preconditions to correctly savour the slowness, the precision and the standard of the sound.
Rick Rosato – Homage (Self-released, 2022)
On his first solo recording Canadian bassist Rick Rosato welcomes us to his refined method and musical concepts, excellently coming to life within the pristine manufacturing high quality. The inspiration for the tracks comes from conventional delta blues, from artists such as Skip James, Muddy Waters and Mississippi John Harm. Aside from the primary piece, all tracks are penned by these artists, including Thelonious Monk and Elvin Jones – additionally at their most bluesy – to finish the record.
By itself I discover it wonderful that an achieved jazz bassist enjoys working with the comparatively easy and repetitive constructions and chord adjustments of the standard blues, but it really works out properly. Rosato’s coronary heart is on this music, and you may sense it all through. It is not jazz, however I suppose that most likely solely jazz lovers will recognize this music. The album is brief, however that is only a good excuse to take heed to it once more.
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