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Paul Janeway, the entrance man for the Birmingham-based band St. Paul and The Damaged Bones, grew up dreaming of turning into a preacher.
And watching the singer-songwriter carry out dwell now could be virtually like being in church.
“It is like much more accepting church, and loving church,” says Janeway, who grew up in a rural Alabama city the place church was the epicenter. “And much more cursing.”
Janeway wrote a number of the songs for the band’s new album, Angels in Science Fiction, after he discovered he was going to grow to be a father throughout the pandemic.
The music is extra delicate and reflective than the raucous soul the 8-piece band has been identified for because it was based in 2011. Janeway says it is the closest they’ll get to a folks report. It even contains one thing Janeway had by no means written earlier than, a love tune.
He defined how he lastly wrote one and the way the album got here to be in an interview with NPR’s Morning Version. These highlights have been edited for readability.
Why it took so lengthy to jot down a love tune
“I did not develop up with essentially the most loving and caring [home]. It was a reasonably poisonous setting so far as my household life went.
And when one thing unhealthy would occur between my mother and pop, my mother would play piano and that was how I grew up with my relationship with music.
So my concept of writing a love tune was at all times it simply did not appear pure as a result of my connection [to] it was at all times retreat, letting go of your demons in a means. So it was exhausting for me to jot down pleased stuff simply due to my relationship with music. And in order that’s why getting to jot down ‘Lonely Love Music’ felt particular.”
Title observe “Angels and Science Fiction” is a message for his daughter
“I believe I need her to clearly discover peace. You already know, after I was younger, I used to be introduced up in church and [it] simply form of was instilled into me. After which as I grew older and disagreed with loads of the issues the church believed, I grew loads of venom.
It is simply humorous. I take into consideration this on a regular basis — how completely different she’s going to develop up than me as a result of I have not been significantly non secular. However you undergo these issues the place you are like, ‘okay, am I going to carry her? Am I going to begin going to church?’ You need her to be instilled with morals.
However I believe in the end whether it is one thing that brings her peace, then I hope she finds no matter that’s for her.”
“Sea Star” displays on fatherhood and new that means
“I believe any time these sorts of issues occur, every thing has a bit extra weight to it.
That line comes from a narrative {that a} preacher instructed one time, the place there is a bunch of starfish on the shore and a man was throwing one by one, and there are millions of them. And the man walks as much as him goes, ‘Why are you doing that? Like, you are not going to get all these starfish off the shore.’ And he picks one up and throws it and says, ‘Nicely, I made a distinction for that one.’ Picked one other one up, stated, ‘I made a distinction for that one.’
Typically our issues on the planet appear so like you may’t repair it, you may’t do something, and also you simply received to assist the folks which can be by you and close to you and make a distinction. Attempt to make a distinction for one individual at a time. For me, I’m a starfish in that scenario and she or he is the one who has introduced a brand new life, a brand new that means.”
A haunted feeling in Memphis
“We recorded in Sam Phillips Studios in Memphis. We’re fairly certain {that a} ghost opened a door throughout the session. A door slammed that ought to not have been slamming. That place is haunted, I am telling y’all. It’s kind of spooky.
You form of really feel like there’s some type of presence there and also you’re form of going via that and perhaps it reveals one thing inside you. And I believe for me, as a result of it was throughout 2020, we additionally stored the our bodies restricted within the room. And so I believe what helped with that’s that it gave it that sparseness. It felt very intimate.
There’s one tune, the opening tune, ‘Chelsea’ on the report [with] our drummer Kevin on piano, and me and him had to have a look at one another for the timing. There was a second in that tune the place you’re taking your final breath of the tune and we each have tears operating down our eyes, one another, like, ‘Wow!’
And also you had a number of moments like that all through the report as a result of it was simply you and another person, which is a very, actually attention-grabbing expertise.”
The audio interview was edited by Reena Advani and produced by Chad Campbell. The digital story was edited by Lisa Lambert.
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