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Our weekly podcast consists of in-depth evaluation of the music we discover extraordinary, thrilling, and simply plain horrible. This week, Editor-in-Chief Puja Patel, Critiques Director Jeremy D. Larson, and Affiliate Editor Cat Zhang focus on a few of the developments, scandals, gossip, technological strikes, and trade adjustments that formed the musical panorama of 2023. They chat in regards to the rampant affect of musical theater, the return of the dancer pop star, the recontextualization of the guitar, the rise of A.I. and the autumn of the 1975’s Matthew Healy, and far, far more. Plus, keep tuned till the tip, when Alvvays’ Molly Rankin talks to us in regards to the one music she needs she wrote.
Hearken to this week’s episode and skim an excerpt from it under. Observe The Pitchfork Assessment right here.
Jeremy D. Larson: Cat, you introduced this concept referred to as the Rise of the Musical Theater Lady. What’s that?
Cat Zhang: Okay, there are a variety of huge pop women now who’ve musical theater backgrounds, or have that aura of theatricality to them. So we now have Reneé Rapp, who’s a Broadway star and in Imply Ladies the musical, the film. After which we now have Olivia Rodrigo, who was in Excessive Faculty Musical: The Musical: The Sequence. After which we now have Chappell Roan, who I feel did musical theater rising up at school and has a cabaret facet to her efficiency, each in her gown after which her singing model. After which we even have Caroline Polachek, who does have this kind of musical theater have an effect on. Numerous it comes via within the vocalizations, only a willingness to push vocals excessive, to be slightly catty, to be dramatic. And so, provided that musical theater is traditionally maybe disdained…
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