Brickwall Jackson’s “Massive Orange Guitar” treats the listeners to a vibrant tapestry of sounds that traverse the realms of nation, blues, and rock. John Hudak, Brickwall Jackson’s lead songwriter and guitarist reveals a dynamic vary of feelings, from playful and upbeat melodies to introspective, heartfelt ballads. Brickwall Jackson invitations us right into a world the place tales unfold with each word, and the one factor left can be wanting a “Massive Orange Guitar!” 

“Massive Orange Guitar” kicks off the album with a fab, high-paced tune that units the temper for motion. That includes intelligent and witty lyrics similar to “So you may kiss either side of my / large ole orange guitar,” this track exudes playfulness. Hudak makes use of his southern twang and adlibs that improve the general nation theme. It boasts soulful electrical guitar riffs that set up a strong basis for the remainder of the observe. 

“Completely satisfied Ain’t Completely satisfied” presents a extra uplifting, bluesy piano accompanied by harmonies and guitars. Whereas Hudak’s vocals keep a fast-paced supply, they sometimes get overshadowed by the extraordinary, fervent devices within the background.

“Porch Swings” presents a softer, calmer facet to Brickwall Jackson’s repertoire, that includes a euphonious rhythmic guitar intro. Hudak’s vocals shine with readability, conveying the sentiment of spending high quality time with family members. The catchy melody enhances Hudak’s vocals seamlessly. 

“Lovers Lullaby” showcases a fantastic chord sample and development, with delicate harmonies including texture and depth to the in any other case stripped-down track. The guitar and riffs steal the highlight, infusing “Lovers Lullaby” with character and allure. 

“When We’re Gone” introduces a rock and roll really feel to the primarily countryside, bluegrass palette. It options some extra dulcet harmonies that intertwine with Hudak’s lead vocals. Hudak’s voice shows spectacular vary with sustained belts, enriching the observe’s musical palette. 

“The Bricks” opens with atmospheric background noise fading right into a soothing guitar strum. Lyrically, Hudak tells a narrative about discovering one’s manner, with a light-weight whistling including an earthy, pure ingredient to the in any other case processed sound. The communal refrain of singing and shouting halfway by evokes the ambiance of an area bar, with voices mixing in concord. You may nearly think about the sounds of beer bottles clinking collectively and the joyous event of singing alongside to a fantastic, relatable tune.  

“Might You Stay” options extra electrical guitars with a daring tone, complemented by Hudak’s echoey vocals. The track builds stress with punchy drums and mellow piano, culminating in a satisfying launch. Hammond organs add a secular contact, enhancing the non secular undertones. The ultimate minute showcases the collective prowess of all devices, making a charming conclusion. 

“Massive Orange Guitar” stands as a testomony to not take issues so critically. All through the album, Hudak’s vocals and skillful instrumentation weave a fascinating narrative that resonates with listeners on a profound degree, irrespective of their musical style. This album leaves an indelible impression, solidifying Brickwall Jackson’s place within the musical panorama. 

By Mya Petryshyn