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Trespass Trio with Susana Santos Silva

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Trespass Trio with Susana Santos Silva

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By Stef GijsselsI was driving for an extended journey professionally, an anticipated 5 hours in complete, an ideal alternative to hearken to music with out interruption. One of many albums I listened was this one, “Dwell In Oslo“, by the Trespass Trio. That is the one factor I might see on my dashboard, the title of the band, and listening to the unmistakeable sound of Martin Küchen’s sax with Per Zanussi on double bass, and Raymond Strid on drums, the trio which have been performing Küchen’s infectious compositions, … however then a trumpet joins, and it is the unmistakeable sound of Susana Santos Silva. 

My first response was how this might be potential. A trio being a quartet, and I needed to examine, however after all that is not potential whereas driving. However there is no such thing as a mistake: that is “A Desert on Fireplace, A Forest“, a composition that was already on albums by different Küchen initiatives: on Tresspass Trio’s personal “Human Encore” from 2013, on “Accidents” by Angles 9 (2014), and on Küchen’s latest solo album “Utopia” (2022). There isn’t any doubt about it. This have to be Susana Santos Silva, the best way she bends notes, the embouchure, the sudden flights of sound. Regardless of, the music is nice. Cease considering, watch the street, hearken to the music. The primary observe glides into “The Spirit of Pitesti“, from the same-titled album (2017), a darkish and slow-moving piece that offers all 4 musicians, however particularly the twin horn entrance, the prospect to display their abilities at deeply shifting and expressive solos. 

A Completely different Koko“, is a unique sort of composition: uptempo, quicker, nervous, powered by the rhythm part. It’s extra angular, unpredictable, uncooked, violent even, and fewer infectious than Küchen’s extra sweeping theme-driven items. It already featured on “Human Encore” (2013) and “Bruder Beda” (2012). It offers particularly Strid and Santos Silva an ideal alternative to shine. An infectious theme leads the intro to the subsequent piece: “Sounds & Ruins“, additionally from The Spirit of Pitesti (2017), a shifting sluggish composition stuffed with counterpoint by the trumpet to Küchen’s deep baritone, leading to a tragic communal wailing, that evolves into extra violent outbursts close to the top. 
The album ends with “In Tears“, additionally from The Spirit of Pitesti, launched by Zanussi’s rock stable bass, and the mild sound of Küchen’s sax. 

The quartet carried out this reside live performance on the Blow Out Competition in Oslo, Norway, in 2018. Even when there is no such thing as a actual new materials on the album, the efficiency is completely glorious, and particularly the flawless and seamless interplay between Küchen and Santos Silva. It makes the music a lot richer and deeper. 

We’re a little bit bit over an half hour later. Nonetheless an extended street forward of me. Let’s hearken to this music once more, and probably once more after that, after which possibly …



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