Home Jazz Trinity Laban Jazz Orchestra at Vortex – ‘Residing Time’ that includes Deschanel Gordon – London Jazz Information

Trinity Laban Jazz Orchestra at Vortex – ‘Residing Time’ that includes Deschanel Gordon – London Jazz Information

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Trinity Laban Jazz Orchestra at Vortex – ‘Residing Time’ that includes Deschanel Gordon – London Jazz Information

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Final November, the Trinity Laban Jazz Orchestra (TLJO) spent three nights celebrating the eighty fifth birthday of composer/arranger Mike Gibbs (reviewed by Patrick Hadfield) as a part of the 2022 EFG London Jazz Competition. Persevering with on in an analogous theme, they returned to the Vortex stage final night time for a celebration of the equally influential composer/arranger, the late George Russell, whose a hundredth birthday would have been final Friday. Assessment by Charles Rees

Picture courtesy of Steve Lodder

Composer, arranger, pianist, creator and musical theorist George Russell is among the extra undersung figures within the growth of post-bebop jazz, enjoying an necessary function alongside such names as Gil Evans, Invoice Evans and Gunther Schuller. His most well-known providing got here within the type of a e-book printed in 1953, Lydian Chromatic Idea of Tonal Group, which postulates an alternative choice to the European methodology of organising concord and tonality, extremely influential amongst jazz musicians to at the present time and particularly Miles Davis. Russell additionally maintained a gradual output of recordings all through his profession, most notably New York, N.Y. (1959) and Jazz within the Area Age (1960), and was a seminal determine in each the American and European jazz scenes for many of his skilled life as much as his loss of life in 2009.


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The concept to have fun his legacy originated with Scottish author and trumpeter, the late Ian Carr. However Carr, who was immersed in his analysis into Miles Davis on the time, would quickly drop the thought, with it passing as an alternative to Duncan HeiningGeorge Russell: The Story of an American Composer was printed in 2009, adopted up by a considerably revised new version in 2020. Heining had supposed to ship a quick lecture upfront of TLJO’s efficiency, however as a result of a transport mishap, that responsibility ended up falling to Trinity head of jazz Hans Koller. An completed composer/arranger well-versed within the music and teachings of George Russell, Koller delivered an impromptu dive into Russell’s life and music that was each entertaining and complete, connecting with an viewers seemingly unaware for essentially the most half about Russell’s place in historical past.

TLJO’s efficiency was based mostly on Russell’s 1972 piece and album, Residing Time. Although that includes an all-star band together with such names as Invoice Evans, Joe Henderson, Ron Carter, Sam Rivers, Tony Williams and Jimmy Giuffre, the recording was broadly panned by critics; most famously by Scott Yanow, who described the music as being ‘reasonably uninteresting and surprisingly forgettable’. Over the next forty years, Residing Time pale into obscurity however nonetheless developed a cult following throughout that point. Its final legacy was the formation by Russell of the Residing Time Orchestra, comprised of each American and European performers akin to Andy Sheppard, Mike Walker and Steve Lodder. Attention-grabbing facet observe: Lodder was in attendance final night time watching his son, hornist Louis Lodder, within the band.

Whereas it was Koller’s concept to recreate the Residing Time recording for this efficiency, many of the credit score should go to pianist Deschanel Gordon, who transcribed all eight “occasions” of the piece in immense element and led the rehearsals upfront of the live performance. Because the band’s featured visitor, he additionally carried out the function of Invoice Evans admirably. Particular point out must also go to the conductor Marty Gionis, a fourth-year pupil at Trinity, to whom fell the monumental activity of holding the numerous totally different components of the piece collectively and flowing; he did a stellar job. Typically, the sound of the band was distinctive. To not point out the recreation of the supply materials was putting from begin to end. A becoming option to have fun the centenary of one in every of jazz’s best.

Full listing of performers is as follows: Deschanel Gordon (piano), Ruta Sipola (flute), Domi Kosztolanszki (tenor & flute), Ruben Ross, Kaz Hamilton (tenors), Jacob Wilson (bass clarinet), Christie Smith, Alex Polack, Mejedi Owusu, Tom Stringer (trumpets), Louis Lodder (French horn), Matt Seddon (tuba), Tom Stephenson, Danny Piers (keyboards), Barney Anderson (guitar), Kobe Heath (electrical bass), Kielan Sheard (upright bass), Ruben Logan, Sacha Harlan, Chiara Spigariol (drums & percussion) and Marty Gionis (conductor)



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