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Xavier Richardeau – A Caribbean Factor
(Continuo Jazz, CC777.754. Album Assessment by John Stevenson)
French saxophonist and composer Xavier Richardeau is a captivating and resourceful musician.
Accustomed to the offbeat of Parisian avenues with their lingering multicultural melodies – from the Left Financial institution of the River Seine all the way in which to Chateau Rouge on the japanese slopes of Montmartre within the 18th Arrondissement – Richardeau is all too accustomed to different grooves and meters.
He’s now primarily based in Gosier within the French West Indian island of Guadeloupe.
His most up-to-date recording, ‘A Caribbean Factor’, paperwork his improvisational adventures in quite a lot of Afro-Caribbean musical idioms.
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Quebecois tenor saxophonist Jocelyn Menard, acts because the tenor saxophone foil to Richardeau’s honeyed voice on the soprano horn, offering fascinating help on the unison melody strains on all compositions. The drum and bass pairing of Yoann De Danier and Régis Thérèse, respectively, is an impressed musical selection. Pianist Leonardo Montana’s charming comping and Anthony Jambon’s prowess on electrical guitar assist to spherical out an album that’s pleasing to the ear – and most of all makes you need to transfer your ft and hips.
What comes throughout most compellingly to anybody listening to the album is the seamless method wherein Richardeau’s ensemble strikes between the biguine, reggae, mazurka, calypso, montuno, and samba sub-genres.
The sunny alternating montuno and reggae passages within the band’s interpretation of ‘Sous le ciel de Paris’ (popularised by Juliette Greco and Edith Piaf), the Brazil-inspired vibe of ‘Broussa Samba’, and Yoann’s spectacular brush work and drum solo on ‘Waves and Wind’ stand out among the many album’s robust compositions.
Xavier Richardeau started formal clarinet research on the age of eight on the Rochefort Conservatoire (Charente-Maritime). He later performed bass guitar in a dance orchestra earlier than finding out the saxophone with Didier Levallet from 1983. Within the late Eighties he targeted his consideration on the baritone saxophone and has been clearly influenced by Gerry Mulligan and Serge Chaloff in his phrasing and repertoire.
Certainly, between 1990 and 1995 he carried out songs from the Mulligan songbook with the Xavier Richardeau Cool Jazz Quartet, echoing the good American West Coast sound of his musical hero. He has had a historical past of intensive work with the likes of Dee Dee Bridgewater, René Urtreger, David Sanborn, Stéphane Belmondo, Charlie Watts, Tony Chasseur, Anita O’Day and Veronique Hermann Sambin, amongst others. Notable albums embody ‘Again to the Current’, ‘Boo Boo’s Birthday – Xavier Richardeau Performs Monk’ and ‘Aube Brune’.
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